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Class of Loli 


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Pmt N CH 


Par OoviN CIAL 
mee HIT ECTURE 


hs shown in Various Exam pe ed 


of Lown & Coun try Houses, Shops 
& Piblic Places adaptable fo 


Joie erlean con aheares 


by 

PHILIP: LIPPINCOTT:GOODWIN 
& 

HENRY: OOTHOVT MILLIKEN 





The authors wish to express their thanks and deep appreciation 
of the kindness of the Misses Hewitt, Mrs. A. B. Dodd, vicomte de La 
Bassetiere, Mr. de Razay, Mr. Alfred Boizel, Mr. George Howe, Mrs. 
Wharton, and all the others who assisted them so much in getting 
together the material for this book. 


MADE IN PRANCE 


FOREWORD 


The purpose of this group of measured drawings and photographs 
is to present to the American public some examples of French provincial 
architecture which, in the opinion of the authors, are interesting from 
an American point of view. 

The buildings selected date as far back as the sixteenth century, in 
one ortwo cases even earlier; some were built as recently as one hundred 
years ago. The earliest types of Normandy manor and cottage, from 
the fourteenth to the sixteenth century, have been rather thoroughly 
written about and illustrated in recent years. ‘Two or three specimens 
of this kind are here represented only in order to include some of the 
various types of smaller French construction. The appeal of such 
buildings comes from their picturesque qualities and is seldom, if ever, 
based on proportion or on other principles from which rules or laws of 
design can be deduced to aid us in a rational development of our own. 
Examples are included of large and small town houses, cottages, shops, 
public places, gardens and fountains. All these are things which are 
being done in this country every day in growing numbers. 

We have many good examples in the past to draw from in our 
own country and we have drawn increasingly on England’s past. We 
have hesitated to adopt and use the vast material which France offers, 
except in the case of our most expensive and monumental buildings, 
partly from lack of realization of the quantity of charming, simple 
things to be found there, partly because these simple things have not 
been presented as much, and as well, as the others. 


It is hoped that this book may be of influence in the United 


States where the pursuit of fashions in style and the imitation of 
strange foreign things, in a cheap and hasty way, has filled the land 
with curious sights. There is a style on which the best of any 
country’s design is based, and that is good proportion, simplicity and 
suitability. This book presents a few examples of this style to be 
found in France to-day. 


New York, March, 1924. 


MANOR of CANAPVILLE, TROUVILLE (Calvados) 


Leaving Trouville on the road to Paris, this manor is on the 
right about five kilometres from the edge of the town. It has no village 
near it unless the adjoining farms and villas may be so called. A stone 
wall separates the very large farm yard from the main highway. 

At present there are five main buildings, — all of them in bad 
repair, but all of them in use. Several families live in the main house 
and one or two in the smaller one. The farm yard is of dirt, gravel 
and grass, with a shed on the left side, a pigeon house out toward 
the middle, a big barn at the back and left, a small open timber house 
at the back and right, and the main house forming the right side of 
the yard, reaching almost up to the wall. | 

The main house has a stair tower of yellow stone, and in other 
places the same stone is used with brick : open timber, silvery gray 
in color, filled in with white plaster, completes this rather heteroge- 
neous, but exaggeratedly picturesque, building. The wavy lines of the 
tile roof covered with moss, the carefully trained vines under the 
casement windows and the variety and irregularity of the materials 
used, combine to make a house that looks more like something 
imaginary than anything real. 

The small house at the back is entirely of open timber work. It 
has the head of a bishop carved on a beam-end in the centre. This 
refers to the fact that the manor was the property of the Bishop of 
Lisieux in the fourteenth century when the first buildings of the 
manor were built. 


This part of France was owned by English lords for several cen- 
turies, which accounts for the similitary of these buildings to work 
of the same period in England. There, such a mellow stone is not often 
seen in this kind of house. 


MANOR of VONNE, near ARTANNES (Indre-et-Loire) 


This ancient manor house is situated close to the main road leading 
from Azay-le-Rideau to the village of Artannes. It 1s now inhabited 
by the poorest type of farmer, who rents it from the owner, as she 
prefers a more modern house nearby. 

The building dates from the sixteenth century. It is entirely built 
of dressed limestone, of a warm gray color, carved in places. Many of 
the large mullioned windows have been filled in with rubble, so that 
at present only the great central room is in use, and one other small 
room. The rest of the building is used for the storage of hay and fodder. 
A simple circular stone staircase is in the right wing and the remains 
of an elaborately carved mantel in the room beyond it. The house now 
faces a large farm yard with an open shed on the left, shown in one 
photograph, and another enclosed barn on the right, both dating from 
a much later period than the house. The ground slopes sharply toward 
the back of the house, so that a high stoop, of about fourteen steps, 
leads up to the main floor on this side, while only one step is required 
to reach it in front. 

Aside from the excellent proportions of the building, it is inte- 
resting as an example of work similar to, but smaller than, its near 
neighbor Azay-le-Rideau. It also contains one fine room which in size, 
scale and beauty of the great carved mantel, is hardly inferior to any 
in that royal house. This room is shown in the sketch plan below, 
without any hatching. It is approximately twenty feet high. The beams 
and walls are now covered with whitewash which forms a fine back- 
ground to the two or three simple pieces of dark oak furniture, — a 
cradle, a table and a few chairs — the only objects in the room. It is of 
interest to note that this Manor of Vonne is similar in size and plan to 


at One 



















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MANOR or VONNE, NEAR ARTANNES (InpreE-Et-Lorre) 


Plan 


PL. 





the manor at Huisseau-sur-Cosson, over one hundred kilometres to 
the east, and of a later date. 


CHATEAU of CAREL, ST. PIERRE-sur-DIVES (Calvados) 


Contrary to the intention of this book, the plan and a few details 
of Carel have crept into it. A visit before the war had discovered on 
the outskirts of St. Pierre-sur-Dives a large farm and a small stone and 
stucco house forming part of it, that was just such an example as was 
wanted. Mr. Thomas, the owner, thought otherwise. 

It was agreed that making photographs and taking measurements 
would disturb him but little : he was even reminded that in 1911 he had 
been interested in Esperanto and that he might practice a little on the 
architects as they pottered around his farm yard. To these inducements 
and all other blandishments he turned a deaf ear. There was a postal 
card of his house (bad) to be bought in the village, Esperanto wasn't 
any use, and he couldn't see anything worth fussing about in his house 
anyway. The result of all this was an accidental glimpse of Carel on 
the road to Falaise. 

It is approached by a splendid avenue of great trees separated 
by a broad tapis vert leading up to the moat across which a little white 
bridge opens into the gravelled entrance court. To the right is the gate 
to the flower garden and beyond walls the farm yard, pigeon house and 
many outbuildings. To the left is a similar gate, shown in the detail, 
leading to the orchard. 

The house itself is of coarse yellow stone, — a real, strong, warm 
yellow — both unusual and delightful. The doorway and the windows 
above it are carved in a rough way suitable to the material. The left 
wing is in three parts, the end section roofed with a steep mansard 
of small red tiles. It is covered with yellow roses. In itself it makes a 
separate cottage of the ideal kind attempted in “Louise” or “The 
Blue Bird”. Behind the house the little river runs quickly, part of it 
turned aside to meander sluggishly in the moat. Where moat and 
river meet stands the little garden house with the tall hat-like roof. 








> 
oe 


This contains all the plumbing of the great house. There being no 
backyard at all it is placed on the main terrace some twenty feet 
from any door. Such is the power of tradition in a country where 
comfort takes a back seat. 

Carel now belongs to Mr. Marielle, but the restorations, mostly 
in the interior, were made by Baron Brunet about 1880. 


HOUSE of Mr. dALLIGNY, AUTUN (Saone-et-Loire) 


Following the rue Notre-Dame in front of the cathedral of Autun 
and bending around so that it parallels the south side of the church, 
one comes upon a gate in a stone wall on the right hand side of the 
street. It is opposite the south transept. 

Entering the gate the house is on ‘the right, perpendicular to the 
street and the outhouse faces it, about sixty feet away, on the other 
side of the gravel court. The former is of rather dark stone and the 
latter of stone and stucco. Beyond the two buildings lies an over- 
grown remnant of garden, dotted with occasionnal fruit trees on 
a high terrace above the surrounding fields. One can see for ten 
kilometres or more across country. All this is rather pathetic now, 
— the last possession of a noble family no longer strong enough to 
hold anything except this house falling into decay. 

It is the miniature horseshoe flight of steps to the main door that 
stamps the place with interest at first glance. It has coarse, heavy, 
provincial balusters and an enormous handrail. The curving lines are 
not so clumsy, however, and the whole composition, — pediment, 
great door and windows standing above the generous steps, — wins 
immediate admiration. 

The outhouse is another suggestion for the suburbs of American 
cities. It has few windows now but could have fewer roses and more 
windows in the gable end. The three big openings lead to a shed for 
storing wood and carts, but they would make an excellent three-car 
garage and in order to simplify life and not take too much space 
away from the beloved automobiles, the little side door could lead to 


iA eres 


the living rooms at the side and above. In short, here is the “ Gara- 
house’ of the future. | 


FARM of MOLINOT (Cote-d’Or) 


A large group of buildings with all the outbuildings and acces- 
sories of a farm. The arrangement and variety of the roofs is most 
picturesque. 


MANOR of VASOUY, near HONFLEUR (Calvados) 


Leaving Honfleur in the direction of Trouville by the hilly, 
twisting road that follows the mouth of the Seine, one arrives in a 
few minutes at some gate posts with odd little stone turrets on top 
of them. The drive runs through a thick grove of trees and there is 
the manor house of Vasouy, a great clump of trees arching over one 
end and framing the slope to the shore. Across some miles of bay 
the town of Havre can be seen in the distance. 

To-day the house looks neither old nor new. It is a well preserved 
rectangle of brick, stueco-covered between the red brick quoins and 
arches around the windows. The roof is a very high one covered 
with small, thin, dark slates broken by the unusual dormer windows 
of which a detail is given. It is said that the foundations date from 
the time of Louis XIII, and the house undoubtedly represents an 
excellent example of a very simple type of that style. 

For some years it has been owned by Mrs. Anna Bowman Dodd, 
the author of Three Normandy Inns, one of the first books to describe 
the charm of this part of France. Owing to her deep interest in the 
place it has taken on a new lease of life, unrestored but carefully 
preserved, and furnished most appropriately in the unpretentious 
manner of the small country-place of the district. 


~ 


a) 


The number of plates and photographs show more clearly than 
words the sort of work in the interior. Honfleur was, and still is, a 
great sea-faring town; at one time a ship-building town as well. 
Some of these ship’s carpenters must have carved the woodwork in 
these rooms. It has a naive quality that makes one overlook any 
coarseness of execution, while the quantity of it, — for nearly every 
room is panelled, gives the interior a completeness seldom found. In 
general all the woodwork is painted white except the stair-hall where 
the oak is natural color. 

To mention special features, in bedroom “D” there are two 
alcoves for the beds with a little door between. The mouldings around 
these alcoves are hinged, so that the beds could be wheeled in or 
out. The servant went through the closet and by a narrow secret 
door got behind in order to make up the beds. Cosy, perhaps, though 
not particularly airy. Adjoining this room is a tiny powdering-closet 
having one side panelled with cupboard doors. Bedroom “A” has but 
one alcove, only here the extra space at each end is used for closets 
so frequently and so carelessly referred to as a “débarras”. What is an 
“embarras’ to the architect becomes the “débarras” of the owner. If 
only it always could be so. 


BUILDING on FORECOURT, CHATEAU of AZAY-le-RIDEAU 


(Indre-et-Loire) 


Only a minor element in the large group of buildings surrounding 
the forecourt of this well-known Renaissance palace has been selected 
here. The court lies at the end of an avenue of trees. At its centre is 
a gate leading to the park. On the left is the conservator’s house, on 
the right are various lodgings, storehouses and this orangery, now 
used as a wash-house. “A” and “B” on the small plan of the sheet of 
details (Plate XIV) show the position of the building. At one time the 
moat came around this side of the palace but it has been filled in. 
Gray dressed limestone is the material of the walls. It is only about 


sey (ae 


thirty feet wide. The roof is of small, even dark-colored slates. The 
front away from the fore-court suggests a good treatment for a 
garage or such a building as an indoor tennis, squash court or 
swimming pool. The photographs of the wall arch with its large 
blank surface pierced by a bullseye and door, show the decorative 
value of an old wisteria vine that makes a composition almost bald 
by itself, into a delightful feature. 





eer 
+ 


OUTBUILDING rrom FORECOURT 


FARM of LA VESVRE, near AUTUN (Saone-et-Loire) 


About eleven kilometres on the road from Autun to Chateau- 
Chinon, lies the manor-farm La Vesvre. Within a space of about ten 
acres, not including the fields and wood lots, there is almost every- 
thing imaginable necessary for a good-sized country place far from 
bakers, butchers and gas and electric lighting. The long list attached 
to the plan shows the names of the various buildings but in addition 
to all these there are two duck-ponds,.a mill-pond, something that 
strangely resembles a silo but is not, — the inevitable pigeon house, 
and a noble manure heap. 

To arrive at the gate to the house-court one passes the open end 
of the farm yard — straw, chickens, a muddy trickle of water, — all 
these slop over into the lane that runs from the highway to the grille. 
It is definitely not a fancy country villa. The housecourt is clean 
enough, however, though the grass is somewhat rank and the flower 
beds not well kept. Mounting a few steps one reaches the broad terrace 
in front of the house, — to the left is the garden and gardeners cottage, 
— to the right the pigeon house, another cottage and the path that 
follows the slope behind the house across a field to the mill-pond a 
hundred yards away. The small side door with a few steps guarded by 
a rose-covered iron rail, shown in one of the photographs, is on the 
left end of the house. It is painted a faded blue-gray against the warmer 
cream color of the stone trimmings and stucco of the house. And 
everywhere there are yellow roses. 

The flower garden shows the French arrangement in its completest 
but not its grandest form, Fruit trees, vegetables, berries, and flowers 
are all together. The one no more important than the other and the whole 
at a few yards distance from the house. The wall along one boundary 


ieee nS be 


provides a side to a small greenhouse and adjoining it a storehouse for 
orange or lemon trees. Beyond, it maintains its double use, —to keep 
out thieves and hold up espalier fruit trees. The photograph shows 
the stone curbed tank, — sole water supply — and the broad borders 
of flowers dotted with peach, pear or plum trees spaced about twelve 
feet apart. All the usual vegetables are here and others too like 
flageolets, courgettes, navets, topinambours, endives, some of them 
more attractive to the eye than to the taste, but it always will be a 
mystery to ordinary human beings why gardeners grow these unin- 
teresting things so easily and in such great quantity, when sticking 
to a few specialties like asparagus and green peas and_ perhaps 
potatoes would be so much more satisfactory. 

Leaving the garden by the little duck-yard at the corner one 
comes into the lane again and so to the gate to the farm yard. It is 
paved with small cobble stones patterned into a semicircle in front of 
the farmer's stoop. At the left hand corner there is a very long, very 
steep roof ending at the top with the high conical point of the 
_pseudo-silo. The farm buildings are of small rubble stone with wide 
mortar joints; — the roof of small tiles; the shed is supported by 
some big oak beams, — all these elements are very neutral. It is a real 
northern and French scene, without blatant color or violent shadows 
but with conditions much like those in our own northern states. 








PLACE VAUBAN, or GRAND COURS, AVALLON (Yonne) 


The centre of Avallon, where all roads meet, is a paved, open space 
surrounded by buildings on three sides and by the entrance to the 
Place Vauban on the fourth. It is a long, narrow promenade shaded by 
rows of tall old lime trees and bounded by plain stone retaining walls 
with solid parapets. At the front a few steps lead up to the statue of 
Vauban and a good stone balustrade encloses this end. The date of 
construction is recorded as 1720, but the designer is unknown. 

To appreciate the special interest of this place, however, it must 
be seen from the other end. There is a drop of fifteen or twenty feet 


between the upper and lower levels. A triple flight of steps at about 
two-thirds of the length of the whole place, connects the upper with 
the lower level. On the latter, the trees are much bigger so that the 
tops of all the trees are almost uniform in height. Seen from the back, 
the scheme is astonishingly effective, while the space under the trees 
makes a splendid shady outdoor room for the people in hot weather. 

In American cities there are similar conditions which could be 
made useful and beautiful in this way with very little outlay either 
for land or construction. The trees themselves form the feature of the 
arrangement, the accident of slope gives it interest. No expensive or 
elaborate pergolas, sculpture or fountains are needed to make it 
attractive and if a great man must be glorified there is always the 
central spot occupied by Vauban. Avallon would not be the loser if he 
were not there, however, as the statue is commonplace and the pedestal 
looks as if it had been designed by the local monument maker. Other- 
wise, this public place is almost perfect of its kind. 

Sir Reginald Blomfield in his history of French architecture says 
that “modern designers trust too much to detail. Instead of facing the 
problem as a whole..... they chose the easier but ineffectual course of 
adopting certain details, and treating the general scheme as a framework 
to hold their details together. At Avallon, a modern landscape gardener 
would have put a band stand in the centre... peppered the site with 
shrubs and kiosques, and wound his mean little paths in and out of 
his shrubberies. The result would have been that with which we are 
painfully familiar in public gardens of the larger (English) provincial 
towns. Verbum sap. 


123, QUAI des CHARTRONS, BORDEAUX 


During the eighteenth century the prosperity of Bordeaux was very 
great_and all through the city are scattered beautiful city houses, some 
of extraordinary refinement of detail, at least two of these have been the 
inspiration of fine houses in this country. The iron workers of the city 
were also quite remarkable in the diversity of their inventive genius. 


— 10 — 


The public buildings planned by Louis or Gabriel or other local or State 
architects, have a bigness about their conception and a fine dignity of 
proportion. 

The character of a city of that period, when there was a unifying 
quality of style in all design, is perhaps better preserved along the 
quays of this city than in any other in France. 

The whole length of the river front where the boats from all 
over the world were moored, was lined with a succession of fine 
buildings. Near the heart of the town, block after block is treated with 
a great pilaster treatment unifying the appearance along the bou- 
levard and making an imposing effect. 

The Bourse and the Customs, designed by Jacques Gabriel, break 
the line at one point. Again the public gardens come down to the edge 
and below this is a series of very fine buildings, none of them much 
wider nor taller than the American city house of to-day, but again 
unified by style and yet diversified by personal taste, by balconies 
and iron railings of charming design. 

These were, and in some cases still are, the houses and offices of 
the great wine merchants. We illustrate one of them belonging still to 
the firm of Cruse & Sons. At one side is a wide doorway leading to the 
cellars where the wine was stored ready to export. A smaller door leads 
to the offices and above that were the apartments of the family. This 
house was selected because of its simplicity and the quality gained by 
a not too strict adherence to axes in what is really a formal treatment. 
To the casual glance there is a regular pilaster treatment, with windows 
formally placed at equal distances, but on inspection there is great 
latitude taken with the usual rules. It is this which gives a charm and 
amplitude to the composition. The windows have been placed so that, in 
the rooms where closer inspection requires more uniformity, the 
arrangement is perfectly symmetrical. The exterior openings, ruled by 
this, vary very considerably. It is built of stone, with the joints so 
carefully pointed as to give an impression of a flat unified surface. The 
rustication of the lower story is a part of the design and the sizes of 
the real stones have nothing to do with it. It is very probable that, as 
in many French houses to-day, the wall was built of stones which were 
only given their finished surface when in the wall. 


ea te 


OUTBUILDINGS of the CHATEAU of SAUMERY, 
HUISSEAU-sur-COSSON (Loir-et-Cher) 


At the eastern gates of the park of Chambord lies the village of 
Huisseau-sur-Cosson of which the grounds of Saumery form the nor- 
thern side. It belongs to the vicomte de La Bassetiere who has the honor 
of a distinguished record in the great war and the advantage of an 
American ancestor. The house itself is so large and so mixed in its 
style that it is not illustrated here except the two interiors. One of 
these is a view through the two large drawing-rooms hung with fine 
old portraits ; the other a bedroom with a semi-circular end, hung 
with red and white toile de Jouy. All of these rooms are painted a 
cream white, making the softened colors of the portraits and the bright 
printed linen and rugs in the bedroom stand out cheerfully in contrast 
to the uncertain sky of this Loire country. 

What interests at first glance is the second or inner gatehouse 
which is seen through the porter’s lodge on the public road. As one 
stands here looking in, first comes the oval court and the gate-house, 
charming at once by its slightly curved facade. Through it again can be 
seen the stable yard with four giant Wellingtonias over eighty feet 
high. Entering the oval court and turning around, the restless roofs 
and chimneys of Chambord a mile away are framed by the porter’s 
lodge. 

The photographs show the inner gate-house and various details, 
the plan explains the quite unusual composition. It is difficult to 
imagine such an arrangement in our country of straight lines, but 
it is the simple use of the curves which gives very exceptional interest 
to the group. The neatness and cleanliness are also remarkable. The 
inner gate house takes the curve of the oval court on the entrance 


RT eal 


side, and going through the arched carriage drive one finds that it 
takes the curve of the semi-circular end of the stable yard on the 
other side. A stone staircase, entered from the drive, gives access to 
the gardener’s bedrooms in the upper stories. The materials are stone 
quoins in rubble walls, covered with smooth yellowish stucco. 

The pigeon house is also of stone and stucco; all great landlords 
had these apparently huge accommodations for pigeons, more as a 
mark of their own importance than for the sake of the birds. The 
well has a curious curved hood with small slates rounded at the 
bottom. The priest’s house, placed near the far corner of the chateau, 
is covered with a lattice and vines and looks rather damp to the 
transatlantic eye. It may have originated for the use of the family 
priest but it probably served other purposes at times, under Louis XVI 
for instance, and is now used occasionally as an overflow guest room. 


“THE HIGH HOUSE” ST. PRIVEE (Orléans) 


Across the Loire from Orléans and about three kilometres east 
of it lies the village of St. Privée. On the edge of it is a small property 
of about three acres belonging to Madame Chéradame. It is a sort of 
villa, convenient to the city but having the privacy of the country, 
surrounded as it is by a thick grove of trees cutting off the fields on 
every side. 

The house itself is a plain stone rectangular affair much overgrown 
with wisteria. But the particular interest is the tiny garden which was 
laid out in the eighteenth century and has kept its form intact, 
although much neglected. The plan shows the arrangement jof the 
property. The axis of the garden is on the narrow end of the house, 
— hardly twenty feet wide. A few steps lead down to the parterre, 
merely two grass plots with strips of flowers along the edges, — 
roses, mignonette and an occasional standard rose. On either side 
are clipped alleys of linden strees curving around until they meet 
on the axis. This is continued by a path about one hundred yards 
long which crosses the little brook and is bordered beyond by two 


— 13 — 


more rows of lindens. Altogether an unusual effect of distance and a 
dignified spaciousness is given by this plan; it includes in a very 
small space a vegetable garden, and a miniature wood with rustic 
paths winding along the brook. The property has been in the family's 
hands for two centuries at least which accounts for the preservation 
of the layout and also, perhaps, for its present unfortunate neglected 
condition. 


ORANGERY, BOTANICAL GARDENS (Rouen) 


The Botanical Gardens are in the faubourg Saint-Sever, across 
the Seine from the city proper. A pair of iron gates with stone piers 
forms the entrance to a short avenue of big old trees, ended by the 
orangery. The building is now used for this and other general purposes. 
Several huge wisteria vines almost completely hide parts of it. 

At the present day a great many club-houses are built for golf, 
tennis, bathing or restaurant purposes for which this orangery could 
serve as a suggestion. It is high enough for a big room or two; it is 
low enough to give the feeling of unpretentiousness so much sought 
after. 


ANNEX to the CITY HALL, IVRY-sur-SEINE (Paris) 


This building is used for the office of charitable institutions, but 
formerly was a part of the Chateau of Ivry, now destroyed. It is of 
stucco of a deep cream color on brick or rough stone. The staircase 
is of limestone with a rail of wrought iron. 

There are two wings at right angles, one having a large carriage 
gate on the main street leading to the court, and the other containing 
all the main rooms, the staircase and entrance hall facing the small 
square in front of the new City Hall. The staircase hall has a pave- 
ment of black and white marble. 


Rela eco 


The court is paved with cobble stones and has modern sheds on 
the side opposite the main building, and nothing on the side opposite 
the main building, and nothing on the side opposite the carriage gate. 
It was built during the middle of the eighteenth century. 

This building has been chosen to show an example of the Louis 
XIV, or XV, style carried out with much simplicity but with charm 
rather than with great dignity. The area of the building shown is about 
that of a medium-size American house. 


PANELLING of the PERRIN ROOM, 
MUSEUM of DECORATIVE ARTS, PARIS 


This panelling is modern and a copy of a room belonging to 
Mr. H. E. Perrin, to whom the collection it contains belonged. It is of 
pine or fir wood, painted. The stiles and rails are mottled green and 
the panels and mouldings in oyster-colored marbelizing, very faintly 
done. The backs and sides of the tiny niches above the two small 
book shelves are painted a dark color to set off the bright vermilion 
and purple of the two Chinese porcelain figures. The finish of the 
paint is a very dull gloss. 

At one end of the room there is a niche for a roll top desk. This 
is flanked on either side by the small inset book shelves mentioned 
above. They have glass doors in narrow dull brass frames. These book 
shelves, and the larger one at the back of the niche, are filled with 
rare books in fine bindings. 

The room suggests work of the middle or latter half of the 
eighteenth century. 


24, RUE dé GRENECEES PARIS 


This doorway, with a shop window on either side, still existing 
in the rue de Grenelle in Paris, has all the charm of that more elabo- 
rate one in wood now in the Metropolitan Museum. The door gives 
access to a small vestibule on which the doors of the shops open and 
from which the stairway rises to the concierge’s rooms with its 
windows in the entresol and to the apartments in the fine old house 
above. It is of the period of Louis XV and while the shop windows 
themselves are modern the windows above with their delightful 
balconies are of the epoch. The general composition suggests that 
large show windows in a small frontage can be beautifully composed 
and sufficiently architectural to have an artistic interest as well as a 
monetary one for the owner. 


CHATEAU of MONTJALINS, near AVALLON (Yonne) 


About six kilometres to the northeast of Avallon lies this severely 
simple example of country house built in the latter half of the 
eighteenth century and belonging now to Baron de Coster. It is 
approached by a narrow avenue of trees two hundred yards long 
widening out before the house into a broad grass pleasaunce to the 
right of which lies the gardener’s cottage and garden; to the left a 
small wooded park. The garden is a combination of flowers and 
vegetables separated from the entrance by a rubble wall. Part of the 


avenue of clipped linden trees remains against the corner of the 
house. 

The building is very plain but it has distinction due to the good 
quality of the detail of what littke ornemental stone and ironwork 
there is. It is entirely built of warm gray stone with a dark roof of 
small slates. 


EITTEE CHATEAU, VITRY, PARIS 


This simple Louis XVI pavilion formed part of a very large 
chateau to which it had been attached. The main building was torn 
down in the nineteenth century. 

The present house belongs to Mr. de Razay who uses it as his 
residence. It is built of gray limestone and is perfectly preserved on 
the exterior, although the interior has been altered. There is a small 
garden surrounding the house and not in character with it. 

This example was selected because it has the refinement and 
balance of the little Trianon, although on a much smaller scale and 
in a much simpler manner, 


2, AVENUE de BOIS-PREAU, MALMAISON 


Before arriving at the lane which leads to the Chateau of Mal- 
maison from the main road from Neuilly to St.Germain, there is 
another small road parallel to the lane, — the avenue de Bois-Préau. 
On the corner of the street and right on the highway stands the house 
of Mr. Alfred Boizel. At one time the domain of Malmaison covered 
four or five times the ground it does now so that the theory that 
this house was once the guard-house of the Malmaison property is 
not unlikely. The present owner made various additions and altera- 


Se gee 


tions with Mr. Navarre as his architect. Besides considerable work in 
the interior in the taste of the time, they added the long gallery. The 
detail herewith of the semi-circular bay of the gallery showing a vase 
and garden seat gives some idea of the treatment of this part of the 
house. The house dates from the last quarter of the eighteenth century. 


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GARDEN DETAIL 


The building is entirely of light yellow smooth stucco with blinds 
of blueish white. The ironwork is a blue-black. Awnings of broad 
orange and white stripes are used on the sunny garden side. The 
roof is of small flat red tiles. The bas-reliefs on the gable end have 
been added. The dining-room, also shown, has both ends curved; 
the pilasters are of greenish gray imitation marble. 


Pug eee 


All of the house, both old parts and new, has been treated skilfully 
so that it gives a very complete and attractive impression of a some- 
what cold style of decoration. Its general type, a rectangle with 
straight roof and a gable at each end — is one that we find in 
hundreds of examples built about the same time in the United States. 





GALERIE BORDELAISE, BORDEAUX 


Arcades such as this are usually dark, dank places with shops 
which repel rather than invite customers. This one is probably far 
more used to-day than when it was built and if it is to be torn 
down, as rumored when these notes were being made, the traffic will 
be even more congested. 

From the plan it is apparent that it cuts through a block from 
corner to corner. The busiest and narrowest street in the city is the 
rue Ste. Catherine running along the south side of the block and 
finishing at the southeast corner by opening into the wide Avenue 
called the Cours du Chapeau Rouge. People are clustered around the 
mouth of the street like bees before a hive and cause many pedes- 
trians to take this diagonal arcade to avoid the crush of traffic. 

It was built in 1834 by the City Architect Durand who was a 
relative, probably a nephew, of the famous Louis who built the 
Theatre of Bordeaux. The Arcade has a skylight running its entire 
length lighting it amply as well as the single story of apartments 
above the shops. 

The shops are in some cases the full height of the arch, in others 
there is an entresol with its floor at the spring of the arch. The shops 
also vary in length, some as long as two or three arches, others only 
one or two. Some doors are in the centre, others at one side which 
diversifies the appearance of the show windows. The floor is of black 
and white marble with wide transverse bands of black. The materials 
and colors of the walls are shown in the drawing. 

The variants of the medallion motive at the top of the mirrored 
pilasters, all tightly designed in a manner like that of Percier and 


eo] ee 


Fontaine, are perfectly deligthful and indicate the different kind of 
tradespeole and shops which might be expected to occupy the arcade. 
Towering cakes for pastry makers, musical instruments, flowers, 
fruits, trophies of arms, rolls of parchment and books. 


VILLA, CLAMECY (Nieévre) 


This house is on the outskirts of the town on the road from 
Vézelay. 

It probably dates from the late eighteenth or the early nineteenth 
century and has an unusually strong Italian feeling for this part of 
the country. The quoins, window and door trims, etc., are of a 
grayish stone. The walls are of rough stone and covered with stucco, 
colored a cream white. 

The elaborate, high terrace stairway is of stone with a plain, 
wrought iron rail. It is completely festooned with huge fruit trees and 
Dutchman's pipe. In former times the property undoubtedly ran down 
to the river Yonne, which flows about one hundred feet beyond and 
below the point from which the sketch was made. The road now runs 
across it at that point and interrupts the former succession of ter- 
races. We have many sites above rivers for which this might offer a 
suggestion. 


COLUMN FOUNTAIN, BORDEAUX 


On the Quai of the Salt Merchants at Bordeaux stands this fountain, 
designed (it is asserted) by one of the Gabriels. Whether or not it 
was done by one of them, it has the clean healthy quality, the well 
nourished simplicity which their designs have rather than the thinness 
to which late Louis XV and much Louis XVI design is inclined. The 
unexpectedness of the group of flag leaves clustered on the top of it 


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lends a savor to the little composition. On the base are four grotesque 
lions’ heads from two of which water spouts and just above the base a 
swinging panel of cast iron (painted and almost impossible to distinguish 
from the stone channels) is cunningly arranged to give access to the 
machinery hid in the hollowed out interior. The whole thing is 
refreshing in its direct and simple design. 





COLUMN FOUNTAIN — ELEVATION 


FOUNTAIN, St. PIERRE-sur-DIVES (Calvados) 


A stone vase surmounting asmall pedestal out of which water runs 
through a couple of spiggots on to the cobble-stone pavement of a 
small open space; it is hardly a fountain but too decorative to be 
called a village pump. As most small houses in the villages do not 
have running water, the nearby inhabitants bring jugs and get their 
supply of water and gossip here. 


FONT at the ABBEY of VEZELAY (Yonne) 


An eighteenth century marble font done with refinement of design 
and excellence of workmanship which is more often found in Italian 
than French work of the period. It is probable that it was made for 
some other church and transferred later to the abbey. 


DOOR of TOWN-HALL, SAULIEU (Cote-d’Or) 


This cartouche has been used as an ornament on the title page. 
It consists of a plain circle of stone surrounded by a swag of oak- 
leaves, all resting on two plain bands of raised stone. Carved stone 
reeds fill the spaces around the swag. It is a good example of Louis XVI 
ornament. 





SHOEMAKER’S SHOP, CAUDEBEC-en-CAUX (Seine-Inférieure) 


This and the adjoining open timber one, partly shown on the 
photograph, were built at the same time. During the reign of Louis XV 
our illustration was brought up to the fashion of the times by filling 
in and plastering over the old work and introducing some good iron 
work. The effect of the big plaster cove-cornice and the coves around 
the windows is unusual and pleasing. 


GUNSMITH’S SHOP, CHARTRES (Eure-et-Loir) 


Those familiar with Portsmouth, New Hampshire, will be struck 
by the similarity of this building with an old shop in the American 
town. Stone and stucco are used, however, instead of brick and wood. 
The cornice is an example of a Colonial motive, often found on a 
smaller scale in interiors. It is probable that the building was constructed 
in the early 19th century. It is opposite the Hotel on the Place des 
Epars. 


TOWN-HOUSE, AUTUN (Saoéne-et-Loire) 


This house is on a corner, a few doors east of the d’Alligny house 
on the rue Notre Dame. They both face the south side of the cathedral. 
There is nothing unusual about the house but it has a pleasant arran- 
gement and proportion of openings and wall surfaces. The material is 
the gray stone of which the whole of the town is built. 


Sige ee 


BALCONY, VEZELAY (Yonne) 


A small house on the left side of the steep main street leading 
from the city gate to the Abbey. The delightful quality of this example 
is entirely due to the care with which the very few simple elements 
of the design are disposed. 


COURT and SQUARE, RICHELIEU (Indre-et-Loire) 


The town was laid out at the direction of Cardinal Richelieu 
before the gates of a great chateau which he built for himself. 
Nothing remains of the chateau but the splendid park, the walls of 
the moat and a fragment of a pavilion, but the town, complete as on 
the day it was finished, remains. 

It is entirely built of gray stone with gates at the centre of each 
side and high-roofed corner pavilions. A moat surrounds the entire 
rectangle. Inside the walls there is a main street for long axis and 
two squares laid out at each end with church, town hall, market, etc., 
surrounding them. One photograph shows a view of one of the 
squares, looking toward the gate leading to the chateau, the other a 
glimpse through a door in the monotonous line of the main street to 
the surprising little courtyard within. A Dutch architect made complete 
drawings of the town in 1922. 


Sore 








DOOR at ALENCON (Orne) 


With your back to the west door of the cathedral you will find 
this little street-door by walking straigth ahead a few blocks and 
looking to the left. The details of the elaborate wood muntins in the 
transom show a northern, almost Dutch, influence. The refinement 
of the detail of the rather ordinary shop front next door is worth 
notice. 


ARROW-DOOR, ARQUIAN (Niévre) 


A variation in the use of the arrow motive in a door transom. 
The material is of lead or soft, thin iron painted white. It is in a 
house on the main street, to the left, as you go out of the village 
towards Gien. 


ALTAR RAIL, CHURCH of ST. ANDOCHE, SAULIEU (Cote-d’Or) 


This wrought iron altar rail shuts off the nave from the choir. 
It is painted black, with gilded feathers and points to the arrows, 
and gilded crescents. The small rosettes and ornaments are in brass. 
The rail is of wood. It is probable that this was made in the last 
decade of the eigtheenth century, or the first decade of the nineteenth 
century. 


COTTAGE near VASOUY (Calvados) 


Oak timbers and pisé de terre are the materials of this typical 
Normandy cottage. It lies on the sea side of the road from Honfleur 
to Trouville, betwen Vasouy and Villerville. 


GATEWAY to COURT, ST. BRICE (Seine-et-Oise ) 


This gateway is part of the outbuildings of a Folie built for 
Marie-Catherine Colombe, a dancer famous in the Italian theatre in 
Paris about 1785. It is now owned by Mrs. Edith Wharton. 

The house itself, although not large, is somewhat too monumental 
in character for this volume, but the wing shown here is of a different 
type, — it is smaller in scale and much lighter and more cheerful in 
quality. The materials are smooth cream colored stucco and blue- 
green lattice. 


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1 i" ‘Lk a) Pai ip identi 


eta i 


(ie of ¥) 7 
LOW ga 
iy r : . r J i 4 


ye 


PL. 28 





BUILDING or FORECOURT, CHATEAU or AZAY-LE-RIDEAU (InprRE-ET-Lorre) 


Corner of Outbuilding 









Ai iA Bi 
ALA, } a a Oh at iF seul Wy ish , i 
{ ree oy an ary ti ea PAL NETS ¥ WAR ; 
ie) tie UA Se mare PL aA 
Mle Ae ff eae el [ 








(i NI 
i 
ait ean @ i 














BUILDING or FORECOURT, CHATEAU or AZAY-LE-RIDEAU (InpRE-ET-Lorre) 


Side Door 


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open 


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epee 


























-Forest gate 







































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sere ainda MeN "9" 


Po me at age hl) 
onstat wei y Sp PA A. . 
Met ORM ve Be 


FARM or LA VESY} 








| Pr, 4V 
























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avila, 0, sdazg 


(AuIO'T-LA-ANOVS) NOLOV YVAN “TUASHA VI 40 WHVA 


eet, en 
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32 


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PL. 


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Aye 


7 


EAR A 


7 


FARM or LA VESVRE, » 


door 


Side- 





Prseos 


earner: 





AR AUTUN (SaonE-EtT-LoIrE) 


4 


SVRE, NI! 


= 


Ay 


4 


oF LA \V 


FARM 


ottage 


~ 
4 


Gardener’s C 


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& its 
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-ET-LOIRI 


NEAR AUTUN (Saone 


4 
49 


oF LA VESVRI 


ARM 


x 


4 


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Farm-yard 


+ » é 


me a 


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Pr, 35 





FARM or LA VESVRE, near AUTUN (Saone-Et-Loire) 


Corner of Farmer’s House 


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(AUIO"-LA-ANOVS) NO.LQV YEN “YASHA VI 40 WHVA 


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wm dy, ha “ Og ae age PE as oo ge a“ © oil . = : = 
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Pu 37 





=) 


T-LOIRE 


c-E 


SVRE, near AUTUN (Saon 


+ 
4 
4 


oF LA VI 


FARM 


Barn 


es 








i 


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ri 


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Garden Water-tank 


FARM or LA VESVRE, near AUTUN (SAONE-ET-LOIRE) 














TAX “Id 


eunbing Ul‘ uosIDAY jo *uvngnpvy, 220i d 24 | 


apDoAap,EONj|DG ; 









































Pees! 


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(see 
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upqnvA fo an}v]19 


(ANNOK) NOTIVAYV ‘SHNOD GNVYD YO NVEAVA AOWId 








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leaner 


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LAviele Sev ALORS che vi ner 
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i Pian ik et jen 


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pa ati one 








PLACE VAUBAN or GRAND COURS, AVALLON (Yonne) 


Lower End 





















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NVENVA WOW Id 








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Pr. XVII 


Ae er 


4 


a nen ae 
ate en eee 


ers napa pgecoiee 
Sees ae 














123, QUAI pes CHARTRONS, BORDEAUX 


Elevation 


123 Quai des Chartrons, Bordeaux 


ah Me 7 pas rea ee Pee L hiai , 















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= 
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a + 
a 
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=e 
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~~ 








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; oe 
17 





PL. 47 


a 


AU 


AVA, 


UVVUL WRUNSEUULNNNUUULUNNUL VONTUUU NTU AMARA 





se 
Bed 


tier arsine 


IX 


T 
} 


AHARTRONS, BORDEAL 


123, QUAI pes (¢ 


Front on the Rtver 


OV ia Sot ; 
er EN sae Maar 

di i ie : at a | % 

A. : W aa 


coe 
he 
an “e ry 





Pi. XIX 





CHATEAU OF SAUME 


RY, 


- 
ny 


near 
Huisseau -sur-Codso 











St 





AReBsay, * 


Fore Court 











arn 


Wren 


llion ; 





Ve 
ic 


Ch 
20 Ba 


aul 





Chateau 
Pa 


“5 
. 


a 
= 


22 Mar 
35 Ca 


18 
19. 
2 





HUISSEAU-SUR-COSSON (Lorr-Et-CHER) 


’ 


, 


ERY 
Plan 


OUTBUILDINGS oF tHE CHATEAU or SAUM 






oo 


ae 


yy Na i 
nena ae s 


4 a 
‘ 
}, 
Ye 
cHtay 
j ri fast 





OUTBUILDINGS or tHE CHATEAU or SAUMERY, HUISSEAU-SUR-COSSON (Lorr-et-CHEr) 


Great Gate House from First Gate 





asnojyy aD) jva.y 


(WSH')-LI-MIOT) NOSSOD-UAS-NVASSINH “AYHWAVS 49 OVALVHD SHL 40 SONIC TINALIO 





6h “Td 





jino‘) dauuy wodaf asnojy apy ywasy 


(¥aH)-LI-M10T) NOSSOD-HAS-AVASSINH ‘AYANOVS 30 OVALVHD FHL 40 SONIC TINGLOO 


hee Ty: 


ao gin eed 
Tee, 
Per eere 





0S “Id 





(WAH)-LA-W10T) NOSSOD-HAS-NVASSINH 


abpuvy 


‘AUANOVS 40 


QAVALVHD aHL 


AO 


SONIGMTINGLNO 





sRARY 


UNIVERSITY OF ae 


Li 





ened) 


Y Fa ANS - 
Oe et nT ha a ae 





OUTBUILDINGS or tHe CHATEAU or SAUMERY, HUISSEAU-SUR-COSSON (Lotr-ET-CHER) 


Well 


i, : / A) i f 
hy 5s DY Nae Vy i Va } 
yl : 





3 


Pi. 5 


oH 


FELL ETS 


2 
= 


PEC e Gay 


t 





Rk) 


«HE 


‘ 


OSSON (Lorr-er-( 


~ 
A 


ISSEAU-SUR-C 


MERY, HU 


SAU 


m 


I 


GS or THE CHATEAU o 


OUTBUILDIN 


House 


geon 


i 


rit Bly : ; 
; ay iy if 
ie 


, r 
ey 7) 
we 


ties 





Pr. 54 


Malini cless dies =o 
semua tna 


nabs tha ae sabyiey senna ea ipeshlbairhlleh MeAraten 


pay 
Feit .* 





HER) 


4 


OSSON (Lotr-et-( 


R-C 


JSISSEAU-SU 


MERY, HL 


tT 
) 


J or SAU 


HATEAU 


4 


TBUILDINGS oF THE (¢ 


7 
J 


OL 


Bedroom on Ground Floor 





wooi-buiaviqg 


(uaH’)-Ld-4IOT) NOSSOD-HAS-NVASSINH ‘AYHINOVS 49 NAVALVHD FHL 40 SONICDTINGLNO 








if, | es 
i : f 
‘ R m | 





asnoy] $.Jsald 


(HAH)-LA-MIOT) NOSSOD-HAS-NVASSINH ‘AUANOAVS 30 OVALVHD SH4L 40 SONIC TINGLAO 





eR Ae A A re Ns 


eae a ES eS Ren een ae Tne eee 2 


4Ano - 240 7 





ne POF Moraes Na ge, 





Asay 





+e re eer een aera! we evan aren 7 : | Siiesieree ae : 2 


424 oo or 


"SUB_IAC) 4eeU ‘das 1S ye 


.ASNOH H9DIH BHL, | 








LG “Id 


asnoyy fo puy uapavy 


(SNVaTYQ) AHAIUd “LS *.aASQOH HOI FHL 


3° 





ion 










f ; } a 
‘ qe? | a # 49 i} 
sb NEE Bie aera a ae yy 
ar Naa ; if yy “i 


‘ {oat 
ee 

LAX) he U he 

iu MV il 


at hae 


penne 
fa The. 
f Ki 





i ] 
es A 7 


PL. 58 





E (ORLEANS) 


4 
4 


PRIVI 


~ om ST. 


4 
4 


HIGH HOUSE 


4 


oul Op | 


Garden 


ne { yy 


re vom ; 


ae 


bon i i 


Oe Pah 
el ay uh 


ii i 


iT) 
Wa 


iis 





PL. 59 





(RovuEN) 


ARDENS 


G 


AL 


. 
4 


BOTANIC 


RY; 


iE 


ORANG 


Orangery 


ai, 


at 

ay ul al 
i) 
‘wel 


My F% : 
i 


ty 


Wee ety 
a a 


uy 


Ne el P's 


I i haa 


a ue 


iY ny hye Py 


Ra 
He Pie ft 


i 
itp 


I 
, 
y 


t 


ee 





et 
r 
a 


PL. 60 





ORANGERY, BOTANICAL GARDENS (RoveEn) 


Detail of End Pavilion, Orangery 





suoljpaa] yy 011a}e5] 


(Stivq) ANIAS-HOS-AYAI “TIVH ALID S382 OL XYNNV 


bury fo apif uapaDb 


J 























—— —— 
Ve 


v 





-QOUDAJUTT FO apie 429447 








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e wo gat — = ! " i 1 - = ee sie Alay 

: = 70 puotjiod 


Barua 





IXX “Id 


- 
= ~ ——_ 





—— ae 


XXII 


PL. 








my i Pr Seainttetause TTT 


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x, © 
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a 7 
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bury wt Se 


mre | as 


Remainin 
portions 





6 
uae mt 
mee yh b 
et 
es 
d 5 ‘s 
ACY ar 
ee Penna 
Sy 9 
See : 


Court Side of Entrance 








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Court Side of Wing 





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HALL, IVRY-SUR-SEINE (Paris) 


ANNEX To THE CITY 


Court Elevations 


Pas anlh 


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o 


Fi 


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th 
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A 


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| te 


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sjipjaqy.- «1. 


(Stavq) ANIAS-HAS-AYAI “TTWH ALID S8L OL XONNV 











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3 ROMA eM A RTUATT TD 


ote ele 











1 sata nbd musbeanbions 








if nen mn nena es 


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$772? 
‘QUID Pine AlAT 
pnbajoyy a 
[f OGRE pup eae ei FJIDIIC] 


¥ Bana p ybnotyy wo 











TWXX “Id 












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7 ’ Or me J : 


UDJq puv spwjaqy 101la}xy 


(stivd) SNIAS-UAS-AUAI “YIVH ALIO 3HL OL XANNV 













































































é Ano ~) ul aA17O 7 a _ *yuapaDey uo mopuly” | 
mers = rs | ens a : 
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a SENG 
a SS, 
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gt or s ° RLS, —— 
by Ei — 
PUP GUOLIDAI]I Ul Sts 


umoyg Huipying Jo 
puolsod fe ubjd 








aula > Paar Alay 
jon DaJDY) | 
- eS Se fO OfIDIIC 








pate eg a eS ee Ae 


AIXX “Td 





Pi. 61 







A= PERU DEGREE RE RERG, PERERERRRRORRES) APPEAR ARRAR RARE oe 

He = r 2 =e 

pb as on ete hierar ant ~~ asey sof 

i ie ’ = 

\ ie a el Sa oar er ey rr) RT wy at Bs aoe pave 

e\ | ee ge ae 
in 









win we 
\ MN INN | 


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nel 4 


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PL. XXVII 


















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PL. XXXV 




































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Pi. 81 





GALERIE BORDELAISE, BORDEAUX 


End of Gallery 


dt wh if NF 


an eas 





PL. XXXVII 


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PL. 86 


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TOWN-HOUSE, AUTUN (Saone-etT-LoireE) 





PL. 88 





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GATEWAY to COURT, ST. BRICE (SErNE-Et-OIsE) 





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LIST OF ILLUSTRATIONS 


MANOR or CANAPVILLE (Catvavos) a | 
General View 1 
Main House a 
Small House i 
Pigeon House 4 
MANOR or VONNE, NEAR ARTANNES (InprRE-ET-LoIRrE) 
Plan I (in text) 
Court Front ay 
Rear 6 
Mantel in Great Room 7 
Shed 8 
CHATEAU or CAREL, ST. PIERRE-SUR-DIVES (Catvapos) 
Plan II 
Garden Details Ill 
General View 9 
Detail of Central Motive 10 
Left Pavilion 11 
Orchard Side 12 
River Side ee 
HOUSE or Mr. D’ALLIGNY, AUTUN (Saone-Et-Lorre) 
Outhouse IV 
Entrance Front 14 
Horseshoe Steps 15 


Outhouse 16 


FARM or MOLINOT (Core-p’Or) 


Farm 


MANOR or VASOUY, near HONFLEUR (Catvapos) 


Plan 

Garden Elevation 

Side Elevation 

Details 

Dining-room 
Dining-room Mantel 
Sitting-room 

Bedrooms 

Garden Side 

Corner of Garden Side 
Detail of Central Bays 
Dining-room Mantelpiece 
Dining-room West Wall 
Sitting-room 

Bedroom ‘“D” 

Bedroom ‘ A” 

Window in Bedroom “A” 


BUILDING on FORECOURT, CHATEAU or AZAY-LE-RIDEAU 
(INDRE-ET-LOIRE) 


Elevation 

Details 

Front 

Corner of Outbuilding 

Side Door ; 
Outbuilding from Forecourt 


FARM or LA VESVRE, near AUTUN (Saone-Et-Loire) 


Plan 

Gate to Court 

Steps to Terrace 
Side-door 

Gardener's Cottage 
Farm-yard 

Corner of Farmer’s House 
Shed 

Barn 

Small Door in Stable 
Borders in Garden 
Garden Water-tank 


DRAWINGS 


V 
VI 
Vil 
Vill 
IX 
X 
XI 
XU 


XII 
XIV 


XV 


PHOTOGRAPHS 


17 


18 
At) 
20 
21 
22 
23 
24 
25 
26 


27 
28 
29 


(in text) 


30 
31 
32 
33 
34 
35 
36 
37 
38 
39 
40 


PLACE VAUBAN or GRAND COURS, AVALLON (Yonne) 


Plan and details 
Statue of Vauban 
Lower End 
General View 
Side View 
Central Steps 
Balustrade 


123, QUAI pes CHARTRONS, BORDEAUX 


Elevation 
Details 
Front on the River 


OUTBUILDINGS or tHe CHATEAU or SAUMERY, HUISSEAU- 


SUR-COSSON (Lorr-ET-CHER) 


Plan 

Great Gate House from First Gate 
Great Gate House 

Great Gate House from Inner Court 
Garage 

Well 

Pigeon House 

Bedroom on Ground Floor 
Drawing-room 

Priest’s House 


“THE HIGH HOUSE”, ST. PRIVEE (Orviéans) 


Plan 
Garden End of House 
Garden 


ORANGERY, BOTANICAL GARDENS (Rouen) 


Orangery 
Detail of End Pavilion Orangery 


ANNEX ro tHe CITY HALL, IVRY-SUR-SEINE (Paris) 


Exterior Elevations 

Court Elevations 

Stair Details 

Exterior Details and Plan 
Front on Square 

Court Front 

Street side Court Gateway 
Court side Court Gateway 
Staircase 


DRAWINGS 


XVI 


XVII 


XVIII 


XIX 


XX 


XXI 
XXII 
XXIII 
XXIV 


PHOTOGRAPHS 


41 
12 
43 
At 
45 
46 


47 


48 
49 
50 
51 
52 
53 
o4 
55 
06 


57 
58 


59 
60 


61 
62 
63 
64 
65 


PANELLING or rH—E PERRIN ROOM, MUSEUM or DECORATIVE 


ARTS, PARIS 


Elevations 
Detail 

Niche for Desk 
Side Wall 


24, RUE vp—E GRENELLE, PARIS 


Elevation 
Detail of Door 


CHATEAU or MONTJALINS, near AVALLON (Yonne) 


Entrance Front 
Main Entrance 


LITTLE CHATEAU, VITRY (Paris) 


Front Elevation 
Rear Elevation 
Garden Front 
Street Front 
Detail of Window 


2, AVENUE pe BOIS-PREAU, MALMAISON 


Plan 

Street Elevation 

Garden Elevation 

Side Elevation and Gate 
Detail 

Front toward St. Germain Road 
End on avenue de Bois-Préau 
Garden Front 

Entrance Gate 

Gallery Bay 

Garden Detail 

Dining-room 


GALERIE BORDELAISE, BORDEAUX 
Elevation and Plan 
Shop Front 
End of Gallery 

VILLA, CLAMECY (Nrévre) 


Elevation 


DRAWINGS 


XXV 
XXVI 


XXVII 


XXVIII 
XXIX 


XXX 
XXXI 
XXXII 
XXXII 
XXXIV 


XXXV 


XXX [in text 


PHOTOGRAPHS 


66 
67 


68 


69 
70 


71 
72 
73 


(in text) 


79 


80 
81 


DRAWINGS PHOTOGRAPHS 


COLUMN FOUNTAIN, BORDEAUX 


Elevation XXXVII 

Elevation : (in text) 
FOUNTAIN, ST. PIERRE-SUR-DIVES (Catvapos) 82 
FONT at tHe ABBEY or VEZELAY (Yonne) 83 
DOOR or TOWN-HALL, SAULIEU (Core-p’Or) 84 

Title Page X XXVIII 
SHOEMAKER’S SHOP, CAUDEBEC-EN-CAUX (SEINE-INFERIEURE) 85 
GUNSMITH’S SHOP, CHARTRES (Evre-er-Loir) 86 
TOWN-HOUSE, AUTUN (Saone-et-Loire) 87 
BALCONY, VEZELAY (Yonne) 88 
COURT anp SQUARE, RICHELIEU (Inpre-Er1-Loire) 

Square 89 

Courtyard 90 
DOOR ar ALENCON (Orne) 91 


ARROW-DOOR, ARQUIAN (Niévre) 
Elevation XXXIX (in text) 


ALTAR RAIL, CHURCH or ST. ANDOCHE, SAULIEU (Core-p’Or) XL 
COTTAGE, near VASOUY (Catvapos) 92 


GATEWAY to COURT, ST. BRICE (SeErNg-ET-O!seE) 


Street side of Court 93 
Detail Court Entrance 94 


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UNIVERSITY OF ILLINOIS-URBANA 


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